This is true of neither Emerson or Carlyle, nor even of most fictional dialogue. But it's a good target to aim at. Richard Ford says he listens to every sentence aloud before publishing. That's a good approach. If it doesn't sound good, don't write it. (But if it didn't sound good in original speech, write it better.)
"…his paragraphs are all a sort of splendid conversation." Emerson's long correspondence with Carlyle was one such conversation, and Emerson set its value high. 'Strict conversation with a friend is the magazine out of which all good writing is drawn.' "
— First We Read, Then We Write: Emerson on the Creative Process by Robert D. Richardson
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