Delight Springs

Wednesday, December 28, 2022

Candy House blindness

 In its very different style and mood, Jennifer Egan's The Candy House continues to explore Marilynne Robinson's theme of the "inviolable, intraversable, and utterly vast spaces between us"... We suffer from mutual, intractable, possibly ineradicable interpersonal opacity.

Or you could just call it a certain blindness.

“The fact that so many thoughts could have gone through my head in 3.36 seconds is testament to the infinitude of an individual consciousness. There is no end to it, no way to measure it. Consciousness is like the cosmos multiplied by the number of people alive in the world (assuming that consciousness dies when we do, and it may not) because each of our minds is a cosmos of its own: unknowable, even to ourselves.” ― Jennifer Egan, The Candy House

Like kids in a candy house we can't stop sampling the stuff that sustains our separation and, in excess, makes us sick. For Egan it's subcutaneous social media that promises to "externalize" and over-share our experience. For Robinson it's the tendency to think we're in a good position to judge others' acts and motives even when we don't really have a clue what's going on in someone else's mind, or what their experience has meant to them.

These are themes I look forward to us exploring this coming semester in our course Experience, complementary sequel to last summer's on Rationality. 

One odd incidental curiosity, I'd love to know whether it's purely coincidental: central figures in Robinson's and Egan's novels are, respectively, Reverend Boughton and a tech wizard called Bix Bouton.

Is that a knuckler, or what?!


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