Megan Craig (Stony Brook University) is MTSU's upcoming Applied Philosophy Lyceum speaker...
RELATION AND RUPTURE
AT THE END OF LIFE
Friday, September 26, 2025 • 5 p.m.
College of Education, Room 164
Megan Craig’s talk considers three kinds of relations that come into focus at or after the end of life:
being-there-alongside, waiting, and staying. The first relation is explored in light of Heidegger’s and Levinas’ contrasting accounts of responsibility, the second in terms of Bergson’s notion of hesitation, and the third in relation to Winnicott’s description of a “holding environment.” Her work serves as a plea for spaces and practices that support more generous, open-ended, and nuanced relations among those who are dying and those who attend to and survive them. This event is free and open to the public. A reception will follow.
being-there-alongside, waiting, and staying. The first relation is explored in light of Heidegger’s and Levinas’ contrasting accounts of responsibility, the second in terms of Bergson’s notion of hesitation, and the third in relation to Winnicott’s description of a “holding environment.” Her work serves as a plea for spaces and practices that support more generous, open-ended, and nuanced relations among those who are dying and those who attend to and survive them. This event is free and open to the public. A reception will follow.
JPO. Professor Craig, we're excited to welcome you to MTSU as our Fall Applied Philosophy Lyceum speaker. That word applied might puzzle some, if they (reasonably) assume that all philosophy must surely aim always to be applicable and relevant to how we live. That was indeed the likely original conception of philosophy, amongst many or most of its earliest practitioners. And you've produced applied philosophy in the public forum, contributing several essays to the New York Times philosophy series The Stone. But not all of our peers are equally committed to pursuing philosophy in an applied and public-facing spirit. What is your own stance on the appropriate role of the philosopher in relation to the broader extra-academic public?
MC. Hi! I’m so happy to join you, and I’m looking forward to my visit at MTSU. I think I have
always thought that philosophy should communicate with a wide audience. Perhaps that is rooted in my own upbringing and the fact that I didn’t grow up in an academic family. My parents were high school teachers, and for a long stretch of my childhood, my dad was a farmer. When I went to college and started to study philosophy, I was struck by how difficult it was to read some of the texts. In writing my own papers, I always wondered if they would be comprehensible to my own family members. I think
philosophy is the most effective when it connects with lived experience, and I think philosophical writing is most effective when it keeps its audience in mind. Sometimes this is a highly specialized audience, but other times, as when I write something for the NY Times, it is incredibly broad and diverse. Writing in that mode forces me to explain things as I would in the classroom and to keep the material engaging and moving. I have learned so much about writing and teaching by diversifying the places where I publish things. I guess I think that if philosophy doesn’t have a public face, then we are
like the philosophers in Plato’s Allegory of the Cave who grope their way up to a blinding light and then forget that the harder and more essential task is to descend back down into the cave and talk with each other.
MC. Hi! I’m so happy to join you, and I’m looking forward to my visit at MTSU. I think I have
always thought that philosophy should communicate with a wide audience. Perhaps that is rooted in my own upbringing and the fact that I didn’t grow up in an academic family. My parents were high school teachers, and for a long stretch of my childhood, my dad was a farmer. When I went to college and started to study philosophy, I was struck by how difficult it was to read some of the texts. In writing my own papers, I always wondered if they would be comprehensible to my own family members. I think
philosophy is the most effective when it connects with lived experience, and I think philosophical writing is most effective when it keeps its audience in mind. Sometimes this is a highly specialized audience, but other times, as when I write something for the NY Times, it is incredibly broad and diverse. Writing in that mode forces me to explain things as I would in the classroom and to keep the material engaging and moving. I have learned so much about writing and teaching by diversifying the places where I publish things. I guess I think that if philosophy doesn’t have a public face, then we are
like the philosophers in Plato’s Allegory of the Cave who grope their way up to a blinding light and then forget that the harder and more essential task is to descend back down into the cave and talk with each other.
JPO.Who are some of the philosophers and what are some of the ideas you've found most insightfully wise in your vocation as a professional teacher and seeker of wisdom? I presume, based on your book Levinas and James, that those two have influenced your thinking? And what in general do you see as the value of philosophy?
MC. This is a huge question, and I’m afraid I can only give a partial answer. You are right that Levinas and James are two of my favorite philosophers. For reasons I don’t quite understand, when I started reading Levinas for the first time as an undergraduate, I felt a strong connection to his writing and to his ideas. Perhaps this is partly rooted in the fact that I spoke French as a child (living in Belgium from the time I was 2 until I was 7), and something about the rhythm his prose resonated with me. But his texts are also notoriously dense (“gluey” is what Bataille said), and so I turned to James, in part, in order to remind myself of what clear prose sounds like. I still use both of them as counterweights to each other when I’m having trouble writing. I love Levinas’s focus on the Other, the way his life experiences inform his thinking, his response to Heidegger, and his stress on ordinary ethical actions like holding the door. I love James’s imagery and the living, exciting quality of his prose. I love his stress on attention, his discussion of consciousness, and the ways that he entreats his audiences to picture things and to
be changed by their own imaginative and practical efforts. Other figures I love include bell hooks, Maria Lugones, Julia Kristeva, Gilles Deleuze, and Gadamer. I think the value of philosophy lies in training us to think, read, interpret, and discuss difficult topics without rushing toward conclusions. It's training in being able to question and to live in the often-awkward space of ambiguity.
JPO. In your new book Thinking In Transit: Explorations of Life in Motion (co-authored with Professor Casey) you write of your hour-and-a-half ferry commute to school that "thinking within the confines of a prescribed time gives me the sense that I am under a bit of pressure. I don't have all day." (I'm envious: my hour-long auto-commute on I-24 from Nashville doesn't afford time to think about much other than avoiding catastrophic collision with reckless co-commuters.) This reminds me of an old New Yorker cartoon in which an author at his keyboard addresses the Grim Reaper at his door: "Thank goodness you're here. I can't get anything done without a deadline."
And of course your Lyceum topic, on hospice and end-of-life care, is concerned with time's (and life's) brevity. Can you say a bit about how the philosophers and the ideas you favor help you, or might help any of us, meet the pressure of trying to live well in the shadow of mortality?
MC. Ha! That’s a genius cartoon! Some of the work I’ve done on palliative care emerged from my own experience of watching my 4 grandparents die in relatively quick succession in radically different ways. I became curious about what first year medical students in the US were learning about death and dying, and I spent a year attending first year lectures in various schools in and around Connecticut to find out. What I discovered was that there was usually only 1 session of a given course devoted to death and dying, and these were usually centered on case studies. There was not much, if any, discussion of what death and dying mean, or how they have been conceived and written about historically. I think that Levinas and Derrida are 2 thinkers who provide an interesting and different lens on death – moving us away from an individualistic, heroic idea of death as a singular accomplishment, end, or turning point and toward a more communal and open-ended conception of dying as something that takes time. Levinas, in particular, argues that it is not the facing up to or expectation of my own death that teaches me about dying, it’s the death of the other. The fact that dying enlists a whole community (even if one dies alone) and takes time (even when death is sudden) suggests serious problems with the modern, medicalized ways in which we (in the US) usually talk about and treat not only death but also illness and grief. These are things that don’t have any distinct timeline and that typically upend our sense of what time is and how it feels. These are things that are at odds with the “fast time” of medical schools and hospitals. In this context, I think other important figures/texts are Gadamer’s talks to medical students in The Enigma of Health, Bessel van Der Kolk’s The Body Keeps the Score, Audre Lorde’s cancer journals, and Susan Sontag’s Illness as Metaphor. In my talk for the Lyceum, I’m also going to talk a bit about Henri Bergson and Winnicott.
JPO. Aristotle's Lyceum was known for its Peripatetic school of thought, which legend suggests was itself in part a philosophy of motion (committed to the notion that philosophy is best when it moves). Do you think philosophers and academics are generally too sedentary? Do many of its traditional problems--mind/body, for instance-- arise from a literal posture of stillness and detachment from the natural world? Would philosophy benefit from a revival of the peripatetic tradition? (I've experimented a bit with that myself, taking classes outside to perambulate the grounds of our campus.)
MC. Yes! We’re all too sedentary, and I worry that we are becoming more so under the pressures of digital media, which seems engineered to keep us inert. But it is a real problem in schools, not only in universities. The norm now is that students sit still at their desks. Chromebooks and other devices help discipline them into these horribly sedentary postures. In universities, we have traditionally kept our students in lecture halls and seminar rooms sitting still, and then we send them off to write papers where
they sometimes sit for hours at a time by themselves in small cubicles. I think it’s crucial that we experiment with new pedagogies and that philosophy, in particular, remembers the body. It’s not just movement outside in the fresh air that we need, but forms of attention and encouraging habits of self-care (eating well, sleeping, resting, taking breaks, making friends), so that we might stop perpetuating the model of the slightly ill, socially isolated, but genius academic.
JPO. Do you think philosophy has anything useful to say to parents, about how to raise thoughtful and caring children? Was Hannah Arendt right to say that natality, as the flipside of mortality, deserves a great deal more attention from philosophers than it traditionally has received?
MC. Yes, Hannah Arendt was right. I taught preschool and Kindergarten for many years, beginning when I was in college and extending to after I graduated. I have always felt that babies and children are the wisest beings, and I think philosophy has long neglected children and natality to its own peril. William James was deeply influenced by Annie Payson Call’s Power Through Repose, in which she writes about the importance of spending time with babies to learn about alternative physical postures, creativity,
attention, and non-verbal communication. One of my favorite thinkers is the author Cate di Camillo – who write children’s books and young adult fiction. My daughters and I have had such great philosophical conversations care of her writing. I see her books as important philosophy texts, as I do with A Wrinkle in Time and a host of others.
JPO. Does philosophy have anything helpful to say about how to live well in especially challenging times?
MC. I’m going to send you a short piece I wrote for the Times* that did not end up being published. It was written just after the outbreak of the invasion of Ukraine, but I think it expresses something that I am still feeling. There are crucial resources in philosophy for helping us think through “dark times,” and we keep needing them, as recent and ongoing events attest. Every traumatic event is unimaginable before it transpires, and it can have the effect of sending us back to a place we may have thought we had
surmounted (as if we had at last grown up or “toughened up”). There is not one text or idea or solution that will insulate us from tragedy or prevent bad things from happening, but it is helpful to collect touchstones (books, poems, art, music, films, etc.) that can be there at the ready for when you will need them. Philosophy is, I think, part of the arsenal of hope we never stop needing...
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* "You Might Have Some Existential Questions"-the Times should have published it. jpo
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